Brian Robert Moore | Tolka, Web Only, June 2023 In Italy, no author is as commonly associated with auto-fiction – or with the murky limbo that exists between fiction and non-fiction – as Walter Siti. Through his first three novels, which formed a ‘fake autobiography’ culminating with Paradise Overload (Troppi paradisi) in 2006, Siti proved that the self can be as effective a means as any for probing the obsessions, ills and ecstasies that characterise contemporary Western society. Even as the figure of Walter Siti has moved into a secondary role in much of his writing, his novels have continued to meld an almost investigative rigor with emotional depth and a uniquely propulsive style. By portraying and deconstructing contemporary Italy from the inside, Siti’s writing has captured how no facet of modern life – even, or especially, love and sex – can exist detached from macro systems of money, media...

Liam Harrison | Tolka, Issue Four, March 2023 In July 2022 I set up a conversation over Zoom between two authors and friends, Nicole Flattery and Colin Barrett. I sent them a list of questions, asked them to hit record and left them to it. Nicole Flattery is a writer and critic from Mullingar, County Westmeath. Her short-story collection, Show Them a Good Time, was published by the Stinging Fly Press and Bloomsbury in 2019. Her first novel, Nothing Special, is set against the backdrop of Andy Warhol’s Factory in 1960s New York, and was published in March 2023. Colin Barrett is a writer from County Mayo. His first short-story collection, Young Skins, was published by the Stinging Fly Press in 2013 and his second collection, Homesickness, was published by Jonathan Cape in 2022. His debut novel will be published in late 2023. The questions I sent to Nicole and Colin...

Tim MacGabhann | Tolka, Issue Three, May 2023 As I get older I find myself better able to let things live under their own aspect: isolated, apart – like a single dart of seed blown from a dandelion or the colours in Cézanne which become their own blocks of solidity – as though beyond form. It’s a young person’s illness to look backwards so much. When I knew Sam I was coming into the last of those years when I might have been able to think of myself as young: that is to say, in those years when I already felt as though I were no longer young. When you get past those years, you start to feel young again. You don’t want them back, either. The low burnish of things as they are is enough: that gleam on the rim of a cup, early in the morning, a weathervane...

Molly Hennigan | Tolka, Issue One, May 2021 Doireann Ní Ghríofa’s A Ghost in the Throat (Ghost) is a book that, in a swift, sensitive movement, has achieved something that many people speak about, think about and slowly edge closer towards after years of scholarship and research. Across various interviews and within the folds of the text itself, Ní Ghríofa relays how she comes to the story of Eibhlín Dubh Ní Chonaill on the periphery of other paths that are well-worn. In Ghost, charting a timeline between the 1700s and the present moment, Ní Ghríofa traces the life of the poet Ní Chonaill through a series of personal reckonings. Stretching the text over the edges of her own experiences of motherhood and tragedy, she fills the gaps in our knowledge of the poet by listening out for echoes of her life today. Ní Ghríofa is not researching from within academia,...