Eimear Arthur | Tolka Issue Eight, September 2025 Off the northwest coast of Ireland, between the white sands of Trá Bhán and the Atlantic’s roiling waves, there is a rocky islet, approximately 150 metres long and 100 metres wide, marked on Google Maps as Illanamarve. The islet transforms depending on point of observation: from certain parts of the surrounding landscape, it presents as one of the many promontories edging the shore, from other angles, it’s clearly a place distinct. Though visible from most nearby towns, such as Annagry and Carrickfinn, at closer range Illanamarve is intermittently blocked from view by rising topography. Just as you catch sight of it, you lose it again. Composed almost entirely of granite, the island has a shallow covering of soil and grass but is devoid of trees or shrubbery. The route from Trá Bhán to the island – passable only at low tide –...

Mícheál McCann | Tolka Issue Five, June 2024 Derek Jarman’s The Tempest (1979) has almost ended. Miranda and Ferdinand are in wedding garb. A band of white-suited sailors loiter gayly. The set is aristocratic and regal. The frame fills with confetti of such colour that the screen becomes momentarily blocked with a pastel pink. The confetti thins, carpeting the entire set, to reveal a figure in golds and yellow helmeted with a pearl-gold bonnet from which stem seven white-gold feathers; discs of translucent lemon fabric imitate the dawn rising behind her. This is the Goddess come to bless the wedding party, yet it is her rendition of the torch song ‘Stormy Weather’ that haunts my imagination most. The lyrics are smoky and sad; her face is lit by an eerie smile. I lie awake later that evening thinking of the lilting sailors, Welch dwarfed between them, beaming as she sings....

Kimberly Campanello | Tolka Issue Seven, July 2025 The poets K and G live on neighbouring islands. They have never met, but they follow each other’s writing and know the look of each other’s haircuts, vacations, spouses, G’s child and K’s nieces and her friends’ children who chalk her garden walls, pots and statues with flowers, faces and I RULE. The two poets know the look of their mutual commitment to bodybuilding. The two poets write about traumatic historical and personal events. Rather than coming up with their own words, they locate language that has been used already to write or speak about these terrible things. They carefully separate parts of this language from the body of the texts, shaping it to reveal the form of what is really there, what is really felt. Eventually another poet remarked upon their respective gym photos and suggested that K and G write...

Liam Harrison | Tolka, Web Only, November 2024 In September I spoke to Colin Barrett about his latest book, the novel Wild Houses (2024), which was longlisted for the Booker Prize. Colin is also the author of the short-story collections Young Skins (2013) and Homesickness (2022). A short story from Young Skins, ‘Calm with Horses’, was adapted by Nick Rowland into a film in 2019, starring Cosmo Jarvis, Niamh Algar and Barry Keoghan. Years ago, I was working in book distribution when a friend first recommended that I read Young Skins. I responded petulantly to the recommendation, thinking that smalltown Irish malaise was overdone, and that I’d already read enough fiction about it. In our conversation below, Colin touches on the sweeping naivety of youth – how being dismissive, and growing out of it, is a necessary part of being a writer and, in this instance, a reader. Thankfully, I...