Liam Harrison | Tolka, Web Only, April 2022 Rob Doyle’s latest book, Autobibliography (2021), originated from an Irish Times book column, where he was asked to write once a week throughout 2019 about a pre-twenty-first-century work of literature, at no more than 340 words per book. He describes it as ‘the book chat equivalent of haiku condensation’. The other half of Autobibliography is a mirror text of sorts, written during lockdown in 2020, and are reflections upon these reflections on books, spanning many different kinds of writing, including memoir, anecdotes, travelogue and other, less categorisable forms. Doyle is the author of the short-story collection This Is the Ritual (2016), as well as the novels Threshold (2020) and Here are the Young Men (2014), which has recently been made into a film. Liam Harrison (LH): What was the experience of writing the shadowy half of Autobibliography, which came after writing your...

Liam Harrison | Tolka, Web Only, July 2025 Eimear McBride is the author of the novels A Girl is a Half-formed Thing (2013), The Lesser Bohemians (2016), Strange Hotel (2020), and, most recently, The City Changes Its Face (2025).  The City Changes Its Face picks up the story two years after McBride’s second novel, The Lesser Bohemians, both set in London in the 1990s. It follows the tempestuous relationship between Eily, a young theatre student, and Stephen, an established actor. The City unspools over the course of a single, turbulent evening, while the narrative is punctuated by flashbacks to recent events. Significant interruptions from the past include a visit from Stephen’s daughter Grace (who is not much younger than Eily), and a dramatic shift as the novel’s style switches to a screenplay of sorts – Eily and Grace watch an autobiographical film Stephen has made about his life, that touches...

Brian Robert Moore | Tolka, Web Only, June 2023 In Italy, no author is as commonly associated with auto-fiction – or with the murky limbo that exists between fiction and non-fiction – as Walter Siti. Through his first three novels, which formed a ‘fake autobiography’ culminating with Paradise Overload (Troppi paradisi) in 2006, Siti proved that the self can be as effective a means as any for probing the obsessions, ills and ecstasies that characterise contemporary Western society. Even as the figure of Walter Siti has moved into a secondary role in much of his writing, his novels have continued to meld an almost investigative rigor with emotional depth and a uniquely propulsive style. By portraying and deconstructing contemporary Italy from the inside, Siti’s writing has captured how no facet of modern life – even, or especially, love and sex – can exist detached from macro systems of money, media...

Jessica Traynor | Tolka, Issue One, Feb 2023 My first memory of my cousin who went to jail is of him playing guitar at my grandparents’ fiftieth wedding anniversary. One of my uncles had a job in RTÉ, so the party was in the canteen, a brightly lit wilderness of painted breeze blocks. The extended family were all there; party pieces were expected. I’d written a poem, because I hated being asked to sing – the idea of it made me sick with anxiety. The entreaties of increasingly drunken aunts and uncles to perform meant I had to keep roaming about the room on a circuit of perpetual avoidance until the time came for me to say my poem. I was maybe nine or ten years old and the poem I’d written was about a man coming home from a long time away to find his family gone and his...