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Episode Eight | Wendy Erskine
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Eerie calm. A standing wave, a never-ending breaker on a rock cliff, a bass vibration that trembles through every cell like the mountain itself is humming, rain washes the windows like poison— Someone screaming, Fuck! Fuck! * What happens to your Feed after you die? There’s no way to survive that. No way. No, I don’t know know; I didn’t watch it with my own two eyeballs, but I know. Stop, just shut up for one second, I know. And so there’s this thing attached to me, this awful piece of knowledge like a – like a dead dog. A dead-dog piece of the story. What happens to the Feed after you die? When you die it rules out posting something like: hey I’m dead. The word sloshes around like a dog dish full of water. You might die, but your Feed lives on in a kind of afterlife. Friends...
Isobel Harbison | Tolka Issue Five, November 2023 The first night home from the hospital I lay in bed. My body had spent a week wrestling with labour until, eventually, the baby was taken out with a knife. He slept beside me now, breathing fast. It was a warm late-summer Sunday in London and the bedroom window was open. Our rented apartment ran adjacent to the railway bridge and opposite another beige tower block, the hard U-shape trapping the voices of the wine-soaked clients from the restaurant below and sending them rebounding upwards. I listened to the misshapen chorus. Having a small child, I thought, knowing virtually nothing about the endeavour, is like having the front door of your home removed so that nobody can leave unless some other adult is in there. And with this thought came fear. I might lose night. * Crepuscular animals forage and fuck at...
Hilary A White | Tolka, Issue Six, April 2024 Sinéad Gleeson’s debut essay collection, Constellations, won Non-Fiction Book of the Year at the 2019 Irish Book Awards and the inaugural Dalkey Literary Award for an emerging writer. It was part of a cultural moment in which brave and bold non-fiction written by women (see Emilie Pine’s Notes to Self and Doireann Ní Ghríofa’s A Ghost in the Throat) seemed woven through a period of great social change in Ireland. In May 2023, it was revealed that the award-winning writer, poet and anthologist was set to publish Hagstone, her debut novel, in spring 2024. Sinéad and I had crossed paths on the arts journalism circuit, and I had attended one of her essay-writing workshops. As a great many people will have experienced, she has been very supportive of my own tenuous beginnings in writing. We arranged a chat over Zoom about...
Brecken Hancock | Tolka Issue Two, August 2024 I take my phone to bed – my husband on one side, my cell on the other. I face my cell. * It starts with a skim of scalp. The cadaver of a Texan murderer who died of lethal injection was encased and frozen in gelatine, then ground down on the axial plane, one millimetre at a time. Photographs of his 1,871 cryosections compile like leaves of a book; a stack of rectos; a secret turf of nerves (stubs of axons and dendritic miles); atrial chambers; a bog of colon; fat; furls of brain; and tendons, imprecisely milled, smeared across the surfaces. * He wasn’t sliced. In a university lab in Denver, a motorised, rotating disk of sandpaper scoured him away, turning him to frozen, cadaveric dust. * Each milling of his corpse revealed an aerial view of viscera – a slab...