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Molly Hennigan | Tolka, Issue One, May 2021 Doireann Ní Ghríofa’s A Ghost in the Throat (Ghost) is a book that, in a swift, sensitive movement, has achieved something that many people speak about, think about and slowly edge closer towards after years of scholarship and research. Across various interviews and within the folds of the text itself, Ní Ghríofa relays how she comes to the story of Eibhlín Dubh Ní Chonaill on the periphery of other paths that are well-worn. In Ghost, charting a timeline between the 1700s and the present moment, Ní Ghríofa traces the life of the poet Ní Chonaill through a series of personal reckonings. Stretching the text over the edges of her own experiences of motherhood and tragedy, she fills the gaps in our knowledge of the poet by listening out for echoes of her life today. Ní Ghríofa is not researching from within academia,...
Isobel O’Donovan | Tolka Issue Four, February 2025 I remember my mother’s voice in the kitchen, as though choruses of her could spill from an opened cupboard. Among the delft and vocal cords, a nestle of laughs and cries pushed through the yellow yolk of the sun streaming through the window. My infant head laid on her chest, ear pressed to lung like a shell whispering of the sea. The place where sleep seeps through a tablecloth like spilt milk, ink. When the Internet unfastens my limbs from my mind, it is to this warm, lullabied body that I long to return. Something punctures the memory – a niggling feeling of is that all? Such multitudes of experience shaped into an apron by the cookiecutter of nostalgia. It’s better now, I think, as the clock counts hours that are just for me, no nappy cloth frozen solid on the line....
Brian Dillon | Tolka, Issue One, May 2021 I was fifteen years old when it first appeared. I’d cycled to school as usual, survived a flummoxing maths lesson without shame, settled into the day’s second period and opened my science textbook, when I found I could not see straight. I blinked hard at the page; something remained in the way. I tried to get the object in focus, the better to banish it, but it would not resolve. The thing was not exactly there, no blurred patch or dark hole in space, instead pure absence, as if one side of reality had simply dropped away. I recall thinking that whatever this was, it would be hard to put into words. I looked up from the book and there the nothing was still, obscuring several classmates, half the blackboard and an array of chemistry equipment on the teacher’s desk. Surely I...
Mark O’Connell | Tolka, Issue Four, June 2023 For nine years, from 2013 until the start of this year, I lived with my family in Stoneybatter. Most mornings, if it wasn’t raining, I would walk my son to school on the far side of the Liffey. As we crossed the quays my attention would often be drawn towards a four-storey red-brick building, which was the only remaining Georgian house in a row of humbler buildings – a low, squat car-upholstery business on one side and a block of modern apartments on the other. Always the house was unlit from within, and unoccupied. Its windows were thickly grimed with dirt from the heavy passing traffic. The granite steps up to its arched and fan-lit front door were sprouting grass and weeds. When I looked down over its railings into its basement entrance, I often saw piles of miscellaneous urban flotsam –...